{"id":990039,"date":"2026-08-04T11:25:54","date_gmt":"2026-08-04T11:25:54","guid":{"rendered":"https:\/\/sarabaruh.com\/?post_type=event&#038;p=990039"},"modified":"2026-08-06T13:41:04","modified_gmt":"2026-08-06T13:41:04","slug":"sara-baruhthus-and-thus","status":"publish","type":"event","link":"https:\/\/sarabaruh.com\/tr\/events\/sara-baruhthus-and-thus\/","title":{"rendered":"B\u00d6YLECE"},"content":{"rendered":"<div class=\"vgblk-rw-wrapper limit-wrapper\">\n<p class=\"wp-block-paragraph\">Sara Baruh\u2019un 1990\u2019l\u0131 y\u0131llar\u0131n sonlar\u0131ndan beri geli\u015ftirmeye devam etti\u011fi, farkl\u0131 noktalarda \u00e7atallanan ve asimetrik geli\u015fim izlekleri \u00fczerinde ilerleyen sanat prati\u011fi, \u00e7o\u011funlukla soyut anlay\u0131\u015flar\u0131n, kimi zaman da fig\u00fcr\u00fcn sundu\u011fu say\u0131s\u0131z resimsel olana\u011f\u0131 kapsayan zengin bir k\u00fclliyata kaynakl\u0131k eder. Baruh\u2019un se\u00e7ti\u011fi k\u00e2\u011f\u0131d\u0131n, boyan\u0131n ve tuvalin dokusunu her zaman koruyarak ve \u00f6z\u00fcnde bu dokulara resimsel jestlerle eklemeler yaparak \u00f6zg\u00fcrce pe\u015finden gitti\u011fi deneysel yakla\u015f\u0131m, sanat\u00e7\u0131n\u0131n \u00fcretimlerindeki \u00e7atallanma noktalar\u0131n\u0131 belirler. Sanat\u00e7\u0131n\u0131n uzun bir aradan sonra ger\u00e7ekle\u015ftirdi\u011fi ki\u015fisel sergisi \u201cB\u00f6ylece\u201d, Baruh\u2019un hem birle\u015fen hem de ayr\u0131\u015fan izlekler \u00fczerinde \u00fcretti\u011fi yak\u0131n d\u00f6nem \u00e7al\u0131\u015fmalar\u0131n\u0131 bir araya getiriyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sara Baruh hem tuvallerinde hem de k\u00e2\u011f\u0131t eserlerinde nokta, \u00e7izgi, renk ve lekelerden olu\u015fan enerji alanlar\u0131 yarat\u0131r. Bu alanlar\u0131 olu\u015fturan d\u0131\u015favurumcu boya kullan\u0131m\u0131, do\u011fadan \u00f6d\u00fcn\u00e7 al\u0131nm\u0131\u015f fig\u00fcr fragmanlar\u0131 ve ak\u0131\u015fkan formlar, bir soyut resim grameri i\u00e7inde ve graffitiyi de an\u0131msatan bir zindelikle hem bilinci hem de bilin\u00e7alt\u0131n\u0131 harekete ge\u00e7iren imgeler do\u011furur. Eserlerini \u00fcretirken Baruh\u2019un her daim bir ba\u015flang\u0131\u00e7 noktas\u0131 olarak g\u00f6rd\u00fc\u011f\u00fc do\u011fan\u0131n kendisi de sergide kendine yer bulur. Pek \u00e7o\u011fumuzun i\u00e7 mek\u00e2nlarda g\u00f6rmeye al\u0131\u015fk\u0131n oldu\u011fumuz bitkiler, sergi boyunca onlar\u0131 canl\u0131 tutmak \u00fczere tasarlanm\u0131\u015f tam spektrum ayd\u0131nlatmalar\u0131n \u0131\u015f\u0131\u011f\u0131yla a\u015fina olmad\u0131\u011f\u0131m\u0131z bi\u00e7imlere b\u00fcr\u00fcn\u00fcr.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130z b\u0131rakma h\u00e2li ve arzusu Baruh\u2019un sanatla kurdu\u011fu ili\u015fkinin temelinde yer al\u0131r. Bu arzuyla harekete ge\u00e7me ve ortaya \u00e7\u0131kan h\u00e2lin i\u00e7inde kalma durumlar\u0131, deyim yerindeyse sanat\u00e7\u0131n\u0131n noktalarla \u00f6rd\u00fc\u011f\u00fc kompozisyonlar\u0131nda en belirgin bi\u00e7imleriyle g\u00f6r\u00fcn\u00fcr olur. Baruh\u2019un noktalar\u0131 resimsel jestlerle tekrar ederek ula\u015ft\u0131\u011f\u0131 meditatif h\u00e2le izleyici de noktalar\u0131n toplam\u0131yla olu\u015fan kompozisyonlardaki ak\u0131\u015f\u0131 takip ederken ula\u015fabilir. B\u00f6ylece eserler sanat\u00e7\u0131n\u0131n \u00fcretim s\u00fcrecinde i\u00e7inde bulundu\u011fu h\u00e2l ile izleyiciyi davet etti\u011fi h\u00e2li birle\u015ftiren birer ge\u00e7i\u015f kap\u0131s\u0131na veya aray\u00fcze d\u00f6n\u00fc\u015f\u00fcrler.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Arkalar\u0131nda izleyicilerin kendi d\u00fc\u015f\u00fcnceleriyle ba\u015f ba\u015fa kalacaklar\u0131 zihinsel mek\u00e2nlara do\u011fru a\u00e7\u0131lan bu kap\u0131lar, Baruh\u2019un sanat prati\u011fini b\u00fct\u00fcnc\u00fcl olarak de\u011ferlendiren metinler aras\u0131 okumalar\u0131 da bu mek\u00e2nlara davet eder. Sanat\u00e7\u0131n\u0131n s\u0131kl\u0131kla severek kulland\u0131\u011f\u0131 el yap\u0131m\u0131 k\u00e2\u011f\u0131tlarda en a\u00e7\u0131k halleriyle kar\u015f\u0131m\u0131za \u00e7\u0131kan, a\u015f\u0131nmay\u0131 ve p\u00fcr\u00fcz\u00fc gizlemeyen y\u00fczeyler zamana ve tesad\u00fcfe dair kavramsal sorgulamalar\u0131 bu okumalar \u00e7er\u00e7evesinde s\u00fcrd\u00fcrmeyi m\u00fcmk\u00fcn k\u0131lar. B\u00f6ylece resim, t\u00fcm g\u00f6rkemiyle hala ke\u015ffedilmemi\u015f zihinsel mek\u00e2nlar\u0131 al\u0131\u015f\u0131lmad\u0131k bir \u0131\u015f\u0131kla ayd\u0131nlatan bir yol g\u00f6stericiye d\u00f6n\u00fc\u015f\u00fcr.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Biyografi<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130stanbul\u2019da do\u011fan Sara Baruh, 1980 y\u0131l\u0131ndan beri Cenevre\u2019de ya\u015f\u0131yor. Sanatla ba\u011flant\u0131s\u0131 k\u00fc\u00e7\u00fck ya\u015flarda baleyle ba\u015flayan Baruh, Cenevre\u2019ye yerle\u015fti\u011fi y\u0131llardan itibaren resim ve sanat tarihine ilgi duymaya ba\u015flar ve sanat e\u011fitimini bu kentte tamamlar. Eserlerinde T\u00fcrkiye ve Avrupa k\u00fclt\u00fcrlerinin kendine has bir sentezini arayan sanat\u00e7\u0131, fig\u00fcratif bir ge\u00e7mi\u015ften, bug\u00fcnk\u00fc soyut \u00e7al\u0131\u015fmalar\u0131na ula\u015f\u0131r. \u201c\u0130\u015flerimde her zaman sonucun ne olaca\u011f\u0131n\u0131 bilmesem bile yaratma s\u00fcreci heyecanl\u0131 ve renklidir. Yapt\u0131klar\u0131m\u0131 neden yapt\u0131\u011f\u0131m\u0131, bunlar\u0131n ne anlama geldi\u011fini sorgulamadan, ifade etmek istedi\u011fim \u015feyleri sanat yoluyla ger\u00e7ekle\u015ftirmeye \u00e7al\u0131\u015f\u0131yorum.\u201d diyen Sara Baruh, eserlerinde \u00e7o\u011funlukla \u00e7ini m\u00fcrekkebi, akrilik ve ya\u011fl\u0131boya gibi malzemeler kullan\u0131r. T\u00fcrkiye\u2019de ve d\u00fcnyada bir\u00e7ok sergi ve fuara kat\u0131lan sanat\u00e7\u0131, \u00e7al\u0131\u015fmalar\u0131n\u0131 Cenevre\u2019de s\u00fcrd\u00fcr\u00fcyor.<\/p>\n<\/div><!-- .vgblk-rw-wrapper -->","protected":false},"excerpt":{"rendered":"<p>Since the late 1990s, Sara Baruh continues to develop her artistic practice, which bifurcates at different points and proceeds on asymmetrical developmental trajectories. This lesser-known artistic practice is the source of a rich oeuvre that encompasses the myriad painterly possibilities offered by mostly abstract conceptions and sometimes by the partial presence of the figure. Baruh&#8230;<\/p>","protected":false},"featured_media":989528,"template":"","class_list":["post-990039","event","type-event","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sarabaruh.com\/tr\/wp-json\/wp\/v2\/event\/990039","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sarabaruh.com\/tr\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/sarabaruh.com\/tr\/wp-json\/wp\/v2\/types\/event"}],"wp:attachment":[{"href":"https:\/\/sarabaruh.com\/tr\/wp-json\/wp\/v2\/media?parent=990039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}